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Description
cybex sonora Cybex Eos Travel System | Baby Travel SystemsThe CYBEX Eos Stroller + Aton 2 Infant Car Seat is a perfectly streamlined Travel System for your growing family. A complete travel solution from birth, it features a 2 in 1 seat unit that easily converts from lay flat carriage mode for your newborn to a reversible toddler seat when your child grows bigger no extra components or accessories required. Additionally, you can use the included adapters to attach the Aton 2 Infant Car Seat to create the
The CYBEX Eos Stroller + Aton 2 Infant Car Seat is a perfectly streamlined Travel System for your growing family. A complete travel solution from birth, it features a 2-in-1 seat unit that easily converts from lay flat “carriage mode” for your newborn to a reversible toddler seat when your child grows bigger – no extra components or accessories required. Additionally, you can use the included adapters to attach the Aton 2 Infant Car Seat to create the ideal travel system.
Product Features :
2-in-1 for Everyday
- Discover the ultimate travel companion for your growing family with the CYBEX EOS 5-in-1 Travel System
- This all-in-one solution ensures a seamless journey from birth, featuring a 2-in-1 seat that effortlessly transforms from a cozy newborn carriage to a reversible toddler seat – no extras needed.
- With rugged all-terrain wheels, front wheel suspension, and a spacious shopping basket, all your family adventures just got easier and more enjoyable.
- Combine it with the advanced safety features of the Aton G infant car seat for an effortless transition from drive to stroll – the ideal travel system for everyday family life.
- 2-in-1: Seat Unit : All you need for their first four years. Start off with carriage mode so your newborn can lie in comfort. When your child grows bigger, simply switch to seat mode so they can sit upright. No extra components are needed – it’s a complete solution from birth.
- Ultra LightweightAt :9 lbs., the Aton 2 is very lightweight, making carrying and installation easy. Thanks to its lightweight construction, the Aton 2 can be easily moved in and out of cars and carried around. All this while not making any compromises in safety and comfort.
- Front Wheel Suspension :Keep the ride smooth for your baby, with front wheel suspension that minimizes shocks and shakes. Sand, grass or gravel paths – it can handle any off-road adventure.
- Spacious Shopping Basket : Carry up to 11 lbs of whatever you and your baby need. Snacks, changing bags or groceries ‒ this roomy basket can carry it all.
- 5 Modes of Use : The EOS stroller adapts to your ever-changing needs. As well as taking advantage of the carriage and seat unit modes, you can easily attach a CYBEX infant car seat to the stroller frame, making the switch from drive to stroll child’s play.
- Oversized sun protection : Protect your baby from the elements with an extended UPF 50+ canopy .
Product Details :
- Age Range: From birth to approx. 4 years
- Weight: Max. child weight 50 lbs.
- Dimensions Aton 2 Infant Car Seat: Length : 266.1 in - Width : 17.5 in - Height : 14.7-22.8 in - Weight : 9lbs
- Dimensions Eos - Unfolded : Length : 33.5-37.4in - Width : 23.6 on - Height : 44.3 in - Weight : 22.7 lbs
- Handle Height (Lowest to Highest) : 39.4-43.7
- Age Range: From newborn up to approx. 18 months
- Child Height: max. 30"
- Child Weight: From 4 lbs. up to 35 lbs.
- What's included : Eos frame including wheels - Eos 2-in-1 Seat Unit - Aton 2 Infant Car Seat - Aton 2 Base - Car Seat Adapters - Bumper Bar - Cup Holder
- Care : Wash separately. Gentle action wash warm water, do not bleach, do not tumble dry, do not iron, do not dry clean.
- Material Composition : 65% Metal, 15% Plastic, 10% Polyester, 5% Rubber, 5% Foam
- Material/Fabric Type : Stroller Seat Cover: 89% Polyester Fiber, 11% Polyurethane Foam Pad - Stroller Harness Covers: 100% Polyurethane Foam Pad - Car Seat Padding 1: 100% Polyester Fiber - Car Seat Padding 2: 100% Polyurethane
- Warranty Period : 2 Years
Don't compromise on comfort and convenience – invest in CYBEX EOS 5-in-1 Travel System today and make every outing with your child a joyous adventure!
Order now and experience the freedom and flexibility this stroller brings to your family's lifestyle.
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- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.6 ★★★★★
Based on 2302 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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